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Picking up from the "to be continued" notation at the end of my last blog entry...
As one of my friends and fellow blogger Chip "Rocket Man" Allen, commented on my previous entry, "winter or when the skies are overcast, just beg for monochrome". Well, I wholeheartedly agree. However, I've shared the shots in previous entry, and the one below, in black and white and shades of gray for a couple of different reasons.
The first is because in thinking about people, human nature, community and our abilities to love, despise or live in a state of ambivalence, as with so many things in life, it comes down to the choices we make. We can look at and focus on what's black and white. Meaning what happens to be right in front of our faces. What we look at, but not necessary see. The obvious, and/or what we think (or assume) we know about someone. And, sadly, quite often, that's it. We go no further.
In communities, those of shades gray can bring people together with the same or similar passions and goals, to make things happen. Even in the midst of differing opinions with shared passions and goals people can come to a place of working together in harmony, rather than against each other. In fact, those differing opinions can actually translate to a better version of the bigger picture. Goals and projects can be completed so much more efficiently and expediently when such harmony exists. However, when it doesn't, attitudes and negativity rules. Passions can become but a flicker. Or, at worst, dashed altogether. While common goals go unmet and projects unfinished. Or, finished "in spite of", so some of the joy of achievement is lost.
Am I pointing fingers at Hamlet? No, not really. Unfortunately, this happens everyday, everywhere, in our homes, in our churches, in our businesses, all across the USA. But, I do believe smaller localities feel it because so many people know each other. Or, know of each other. Or, think they know each other. And so much is at stake. I bring it up here because the name for this blog is All Aboard Hamlet for a reason.
I've mused about the blacks and whites and shades of gray for days and days now. So much so, I could probably write about it for hours and hours. I shall spare you, though!
What it boils down to is that it's the black and white "things" of this world that can simply either bring us together, or separate us. Yet, beneath the surface view, within the various shades of gray is where "the stuff" that can form true bonds can be discovered and forged. Rather than resentments and animosities fostered. It's the area where our differences can be overtaken by positives and mutual understandings. Even when the understanding happens to be to agree to disagree. The shades of gray are home to the common ground(s) where life long relationships can be created, or a single moment of perfect understanding between people can be found. And yes, within the shades of gray are the places where adversity can melt away into diversity. It's where the stark contrasts aren't seen as negatives, but compliment each other as positives. It all depends on the way we choose to see things.
How does this translate to photography? Or, vice versa? Or, maybe better said, it's how did Jeanne get into this groove? Well, I've always been a people person and an observer of people as far back as I can remember. Then, even more so after spending eleven years in my former career interviewing countless people from all walks of life for my old employer. But, in *this* case, I believe God reminded me of things I already knew using a few of my photos. It's just amazing how that happens.
For some it may be an easy jump to get, for others, a leap...
In looking at black and white photography, immediately you're aware that there is more to the picture. Of course, your mind registers the most obvious... it's missing color, but is it really missing anything else? Or, does it actually give you more of the picture? Do the blacks and whites and shades of gray pull you into the photograph deeper than a color version would? Does it capture your imagination? Without the grays sewing the photograph together, could you even see the black and white portions clearly?
Or, does a color photograph give you a clearer picture?
With me a black and white scenic photo can pull me in more than color version does because it actually captures more of my interest. The same holds truth with most black and photos and me regardless of the subject matter. My eyes stop at the surface with color photos, so I've learned to take time to discover and see each detail, way beyond just looking at the photo. During the process in my mind, I'm describing each detail to myself. (This is just one of the little things I do to help rewire my brain from the effects of misfires and seizures.) With black and white, I automatically see the depth and beyond. That's just me, though. Also, the photos I chose to share are a variety of "vanilla" shots. Nothing super striking, however, I did find the black and white versions of the ancient trees were a bit Sleepy Hollow-ish and a little scary.
No, truly this isn't a lesson on interpreting black and white vs. color photography. But, my choice to share a few of my shots of the recent ice and snow in Main Street Park in black and white and shades of gray, surely got my mind to thinking. And I believe God seized opportunity to open my eyes a little wider. What about yours?
Now, for the second reason I chose to share my shots in black and white and shades of gray. Trust, me this is super short! I was playing with my camera settings in an attempt to deal with the reflections and brightness of the sunlight that morning against the ice and snow in some of the photos I snapped. Unfortunately, I wasn't thrilled with the results at all. Honestly, I felt like kicking myself, because who knows when Main Street Park will be so beautifully draped in ice and snow again. However, once I added a simple black and white effect, I found those particular photos more to my liking. Normally, I'm not really into effects much at all, but this time, the effects caused me to reflect deeper and much further than a simple photograph would normally take me. In the color counterparts, I couldn't get past what I was looking at to see what God had for me in the black and whites with shades of gray. What an effect!
Me thinks Mr. Thoreau certainly knew what he was talking about...
"The question is not what you look at, but what you see." ~ Henry David Thoreau
Thursday, January 27, 2011
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1 comment:
Yes. ma'am! The shades of gray are where the texture and composition lie for me, as well.
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